Umbah's voyage through the complex Ecojungle,
a cosmic door to evolution, a path to sanity
a guide for lower level species..
a work of outstanding value and importance.
Well we got a few other dimensions aswell
this dimension is to catalyse evolution itself
and were gonna take that journey right now
let's juggle a few mathematical formulas
let's see what high technology contains
let's use our instincts
let's push the Avant Garde
Born in a superformula..
by the power of the fractal i am
by the force of evolution i exist
let the skies rain neurons
and capture a moment and propel life itself
far into the Outer Reaches of the galaxy
complex voyage
... and see what lies beyond it
think this is a fucking joke? ...it ain't!
its a threshold set by perception
money..imaginary money
those with no sense of caretaking for a Planet, or evolving arts
complex things can be broken down
and looked at and simplified
if you ask a question like
'how do we evolve'
its really big
i think trying to simplify it
to visualize it
right my names Jock and i got a fuckin problem with everything
whats going on is
trying to take away our fuckin culture
trying to make it like, less fuckin biodiverse
well, we'll see about that, won't we
play in the jungle...
as we move one up...they all go up
we can have a mixing session
i think your gonna like my formula
a little happiness, a little longevity - )
yeah!
viewed this way its a measure
displays the level of human tolerance
of what is ok, and not ok
who and what can be percieved to not be crazy
who needs to have someone fix their mind?
who needs it or not?
who decides that?
to Pluto....
you see if i wanna send my shit to Pluto
its nothing serious
i pass a threshold
think i am crazy
zooom, zooom , zooom...
supported by 5 fans who also own “The Aliens Are Gonna Dance To Umbah”
The list of high-quality one-man black metal bands is already quite large, and it has grown larger with the addition of Esoctrilihum, even though Pandaemorthium is significantly more of a death than black metal affair (as opposed to this project’s other works). This is occult and ritualistic death metal the likes of which we have not seen since Shaarimoth’s Temple of the Adversarial Fire, with an atmosphère so enveloping that nothing can escape its pull. Synths are used prominently but never overpower the phenomenal guitar work, which is simultaneously melodic and crushing. The vocal performance is also outstanding, full of guttural power and about as authentically evil as vocals get. Embrace the unknown, and lose yourself to the void. Ippocalyptica